The composition draws the eye into the foreground whilst leaving some space at the top of the page for our typography. Here, we have a well balanced sketch with a grill smoking away in the foreground whilst our BigFoot character takes it easy with a beverage by the lake, waiting for the fish to bite. This is one of the most important parts of the process. Now that we have a plan, it's time start sketching. ![]() I want the finished piece to be a nod to the past with a distinct Lincoln Design feel. I put together a quick visual brief with references and notes to help guide the project. So, after having a chat with the team at True Grit we decided to create a fictitious Lincoln Design Outdoor Gear Guide featuring our unofficial studio mascot, BigFoot. Here at Lincoln, we love the outdoors and work regularly with clients in the skate, snow, mountain and action sports worlds. You can't get to where you're going if you don't know where you're starting from! Just because there's no client in the traditional sense, doesn't mean you shouldn't spell out what you're hoping to achieve. I'll be breezing through some of the technical stuff but if you've got a handle on the basic functions of Photoshop, Procreate or Affinity Photo you'll do great!Įven though this is an internal project for fun, we still like to start by setting ourselves an informal brief. ![]() We'll experiment with brushes and textures and I'll share a few insights, tips and tricks along the way. ![]() In this tutorial, I’ll be showing you the process I use to take an illustration from brief to execution. Here at Lincoln, we understand the power of art and design, working regularly with clients such as Element Skateboards, The Dew Tour, Adidas, Harley Davidson and Nike to name just a few. We’re a creative design and branding studio out of Vancouver, Washington. It's Damasso Sanchez here from Lincoln Design Co.
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